“Coming To Our Senses”, 2025 Solo Exhibition at Michael Warren Contemporary Gallery, Denver CO

ABOUT THE WORK: I have been deeply feeling where we are in this moment: deeply divided culturally, distrusting science, destroying the natural world, greed & might makes right. We have forgotten our common bond in humanity and the world around us. This series investigates reconnecting our five human senses with nature.

These artworks are made by stretching wet slabs with non-toxic chemicals applied, to create a cracked surface.  I then layer each one with multi-colored underglazes while the surfaces are still wet. The slabs are then slowly dried, fired once or multiple times- to achieve the rough and refined quality I'm looking for. I finish each artwork using a water sanding system to reveal the applied layers of color in varying patterns. These works are free standing or wall mounted. 

NEW COMMISSION “The River Is Life”

2025; 130"H x 52"W x 4"D; Stoneware, resin, stone shards, metal wall mounts; Commissioned by The Limelight Hotel, Boulder, CO

This commission was very recently installed in the lobby of the new net-neutral hotel in Boulder. I have only an iPhone installation shot to show you at this time. Only artists from the state were commissioned in this hotel as part of their commitment to environmental commitment and identity. The invented imagery focuses on water issues in Colorado in 33 individual quadrant shapes, as if cut out of the physical earth itself. I used stone from our state as allusion to mountains, resin to denote the Colorado River and aerial view imaginary as orientation for looking at the earth from above, as a 3-D map.

“Listen or Your Tongue Will Make You Deaf”

A proverb used as title, as translated by The Cherokee Nation, 2024, 60” x 96” x 4”, Slip cast and press molded ceramic, resin and mixed media

I came across this proverb over 2 years ago and felt it captured this country’s moment in history. Observing our behavior, its obvious to me that we have lost a link with our own human nature and nature itself. Are we listening to each other? …to ourselves?…to what nature is telling us? …or is nature listening to us?

My sculptural mural takes form from the controversial 2020 census and the demographics revealed. Each color is a reflection of the race it represents. Creating 206 parts, I proportioned the census data to visually show who we are as a nation:  57.8% White, 12.4% Blacks, 18.9% Hispanics, 6.3% Asians and 2% Native and Islander Nations. I have taken license to exaggerate some colors to capture an essence of race and omitted other colors to reflect those left out of the census itself.

Each part was generated from a single sculpted original carved in stone. That original was then molded multiple times to slip cast ceramic or resin. Liquid clay slip was used to pour into 5 part rigid plaster molds, as well as press molded using small slabs of moist clay. These different types of clay were then dried over several weeks, glazed and fired in an oxidation kiln. Transparent 2-part polyester resin was mixed, tinted, poured and cured in flexible platinum silicone molds over a 24 hour period. Each of the mural parts are unique and one-of-a-kind. The transformation of this form into different materials, colors and qualities- each originating from the same original source- serves as metaphor for human’s evolving from the same source. 

This artwork was made to premiere during the 2024 series of 10th anniversary exhibitions of Michael Warren Contemporary, Denver in honor of this accomplished gallery and vision of owners, Mike McClung and Warren Campbell. 

The Quadrants

I got my degree in ceramics motivated to work using the earth itself. My early years in the 1990’s were consumed with wall murals looking at the earth from an aerial view. This language came back to me in 2018 preparing for a solo show in Denver. Observations of the way humans survey the actual landscape has always mystified me. Pure squares and oblique angles that have absolutely nothing to do with the contours of real areas on the ground, became a theme to incorporate in these new quadrant map forms. Using physical rocks as an allusion to mountain shapes, colored glossy resins for water issues of the west, monopoly scaled houses to suggest residences and textured topographical surfaces with etched in roads and rivers all added to the multiple bright glazes, capturing the differences between environments in a fantastical way.